Daring todo it:1984 – 1999

1984

One: Starting with standards

KMS is founded Coincidence or fate? The house number of KMS’ first office was 1 – symbolizing our agency’s start as well as our ambitions: to create some­thing truly unique in excellent quality and according to our own standards.

The power of typography.

Schneekluth Verlag Excellent design is a fine line between com­plexity and com­position. And typo­graphy plays a key role. Our intensive work for pub­lishers taught us to appre­ciate and maxi­mize typo­graphy’s poten­tial early on. Today, we develop our own fonts as essential elements that help shape brand identities.

More on font development

1989

1989 10 kms team history beuys B 3 2
Opening eyes and doors.

Galerie Thomas and Type Directors Club Galerie Thomas became a renowned inter­national gallery for express­ionism and classical modern­ism during the time of our colla­bora­tion. Our work for them made us winners at the Type Direc­tors Club in New York.

1990

Art takes work.

Prestel Verlag, Pegasus Devel­oping a logo for the premiere art book pub­lishing house of its time and working on over 40 art books taught us two valuable less­ons: First, never stop fight­ing for the best ideas. And second: Creating logos is still one of our greatest strengths – even 40 years later.

More on logos

1990 10 kms team history prestel 16 9
1990 20 kms team history prestel 1 1
Design is also art.

Our work for Prestel Verlag brought us into the world of German design. We chose a Dieter Rams product design for the cover of the book »Design in Germany«. His »Ten Principles for Good Design« also provide inspir­ation for our work.

Perfect entertainment.

Disney We designed children’s books and products for Walt Disney and licensee Schneider­buch for seven years. In the process, we show­cased beloved comic heroes and were always im­pressed by Disney’s incredible pro­fess­ionalism. No one does entertain­ment better.

Perfect entertainment.

Disney We designed children’s books and products for Walt Disney and licensee Schneider­buch for seven years. In the process, we show­cased beloved comic heroes and were always im­pressed by Disney’s incredible pro­fess­ionalism. No one does entertain­ment better.

1990 30 kms team history disney C 16 9
1990 50 kms team history disney B 5 4

1991

Designing German.

Goethe Institut It’s difficult to learn German. We used our strategic intuition of the German lan­guage to create a design concept for the Goethe Institute and their range of lan­guage courses – featured on posters, course program­mes and even in the class­rooms.

What we agree with leaves us inactive, but contradiction makes us productive.

Johann Wolfgang von Goethe

1993

02 kms team villa stuck gemälde 16 9
This museum looks anything but old.

Villa Stuck Franz von Stuck’s villa in Munich is turned into a museum – and a premiere for us: our first com­prehen­sive visual identity for a museum. It would shape the identity and com­muni­cation of this cultural insti­tution for over 20 years and beyond – and it would always look fresh.

See the results

1995

A time-lapse Christmas.

KMS TEAM Christ­mas is known as a time for quiet con­tem­plation and slowing down. We made a pretty long movie showing the first glimpses into our every­day work as an agency. After all, some people find it relaxing to watch others work…

Size matters.

Audi Audi creates trade show ex­hibi­tions that are both expen­sive and ela­borate in scale, but this pays off for the brand: Staging the brand in this spec­tacu­larly emo­tional way ef­fec­tively en­­hanc­ed Audi’s pos­ition­ing as an inter­national prem­ium brand – with lasting effect.

Size matters.

Audi Audi creates trade show ex­hibi­tions that are both expen­sive and ela­borate in scale, but this pays off for the brand: Staging the brand in this spec­tacu­larly emo­tional way ef­fec­tively en­­hanc­ed Audi’s pos­ition­ing as an inter­national prem­ium brand – with lasting effect.

1996

See – and be seen.

ProSieben As the lead agency, we deve­loped a profes­sional identity for the emerging broad­caster in its early days – inclu­ding every­thing from the brand, signage and trade show to its annual report and even the IPO.

See the results

1998

Unmistakenly Italian.

Lamborghini When Audi took over the legendary carmaker, it was time to bring its technology into the present day without losing its Italian image. A new kind of super sportscar – but still quint­essentially Lamborghini.

1999

Fusion and evolution.

ProSiebenSat.1 ProSiebenSat.1 Media AG wasn’t the only thing that emerged from the first merger we sup­ported, which invol­ved creating a single brand archi­tec­ture for two formerly inde­pen­dent media com­pan­ies. KMS also became a brand consultancy.

See the results

Precision creativity.

Evotec Our first client in the research and high-tech sector handled our draft designs for their visual identity just like their research: with a con­sis­tently ob­jec­tive, pur­pose­ful approach. And that’s exactly how they im­ple­­men­ted it.

See the results

The goal of evolution is not one single human, it is mankind.

Manfred Eigen (1927–2019)

1999 80 kms team history saturn 1 2
Per aspera ad astra.

The Saturn logo How is it possible to create a new star in the retail brand universe? With our efforts and our client’s extremely high standards. The result: a very recog­niz­able and mem­orable cor­porate design for Saturn.

See the results

1999 90 kms team history saturn 1 2